European Bronzes & Terracottas: Patricia Wengraf Celebrates 40 years
This lavishly illustrated volume, the first sales catalogue Patricia Wengraf has ever published, presents a selection of exceptional works shown in New York, in October 2018, and was conceived specifically to accompany the exhibition.
Published by Paul Holberton, October 2018
Hardback,300 x 245
120 pages, 100 illustrations
Renaissance & Baroque Bronzes from the Hill Collection
Renaissance & Baroque Bronzes from the Hill Collection, edited by Patricia Wengraf. This meticulously researched catalogue, which has entries by Denise Allen, Claudia Kryza-Gersch, Patricia Wengraf, Dimitrios Zikos, and technical reports by Rupert Harris, accompanies an exhibition shown solely at The Frick Collection, New York, from 28 January to 15 June 2014.
The Hill Collection of over thirty Renaissance and Baroque bronzes, collected since 1996 and from 2000 with the help of Patricia Wengraf, is of exceptional quality and exemplifies the development of the bronze statuette from 1470-1740. The Hill Collection includes rare masterpieces by early Italian sculptors such as Andrea Riccio, and its holdings of works by Giambologna and his followers are the strongest found in any single collection, with the sole exception of the Museo Nazionale del Bargello, Florence. Four great bronzes by Giuseppe Piamontini and a group by Ferdinando Tacca evoke the Florentine Baroque, while the international Baroque is represented through religious themes by Alessandro Algardi and Hans Reichle. Earlier bronzes by northern sculptors include great works by Adriaen de Vries, Tetrode, Hubert Gerhard and Casper Gras, while a remarkable group of works made in the late sixteenth and seventeenth centuries by Barthélemy Prieur, Hubert LeSueur and François Girardon, demonstrate the French preference for bronzes in the classical mode.
List of Publications
European Bronzes & Terracottas: Patricia Wengraf Celebrates 40 years, by Patricia Wengraf, London, Paul Holberton Publishing, 2018.
“The Louvre’s Hercules and Deianira with Nessus, a Later Adaptation After Adriaen de Vries’s Theseus and Antiope in the Royal Collection, Windsor” in The Eternal Baroque. Studies in Honour of Jennifer Montagu, Ed. Carolyn H. Miner, Skira/Sotheby’s 2015, pp. 119-128.
Renaissance & Baroque Bronzes from the Hill Collection, with Denise Allen, Claudia Kryza-Gersch, Dimitrios Zikos and Rupert Harris, London, Paul Holberton Publishing, 2014.
"LeClercq's Marble Group of Eros and Anteros Fighting over a Heart," in Festschrift für Christian Theuerkauff. Barocke Kunststückh/ Sculpture Studies in Honour of Christian Theuerkauff, edited by Regine Marth and Marjorie Trusted, Munich, Hirmer Verlag, 2011, pp. 185-189.
"A bronze Bacchus wearing a Silenus mask, made for Antonio Londonio," The Burlington Magazine, vol. 153, January 2011, pp. 13-21.
Catalogue and Exhibition Review of French bronzes, Renaissance to Revolution, exh. cat., edited by G. Bresc-Bautier & G. Scherf, Paris, Musée du Louvre, 22 October 2008 –19 January 2009; New York, Metropolitan Museum of Art, 24 February – 24 May 2009; Los Angeles, The J. Paul Getty Museum, 30 June – 27 September 2009 in The Burlington Magazine, vol. 151, no. 1271, February 2009, pp. 120-121.
Book Review of Bertos: The Triumph of Motion by Charles Avery, in The Burlington
Magazine, November 2009, p. 780.
Essay, “Zur Bedeutung der “Signaturen” an Giambolognas Marmor–und Bronzefiguren," in Giambologna. Triumph des Körpers, exh. cat., Kunsthistorisches Museum Vienna, 27 June – 17 September, 2006, pp. 103 – 139.
Catalogue entries in Giambologna. Triumph des Körpers, exh. cat., Kunsthistorisches Museum Vienna, 27 June – 17 September, 2006, Nos 1, 9, 10, 12 & 17.
Book and Exhibition Review, Pajou. Sculpteur du Roi 1730-1809, Paris, Musée du Louvre, 20 October 1997 – 19 January 1998), Art Book Review Quarterly, Winter 1997/1998.
Entry on Mercury and Cupid by Francesco Fanelli in Von allen Seiten schön. Bronzen der Renaissance und des Barock, exh. cat., edited by V. Krahn, Berlin, Altes Museum, 31 October 1995 – 28 January 1996, p. 410, no. 133.
Entries and Biographies on Francesco Bertos (no. 59), Antonio Corradini (no. 58), Pietro Danieletti (no. 156), Orazio Marinali (nos 16, 17), Giovanni Maria Morlaiter (no. 178), in The Glory of Venice. Art in the Eighteenth Century, exh. cat., ed. J. Martineau and A. Robison, London, Royal Academy of Arts, 15 September – 14 December 1994, Washington DC, National Gallery of Art, 29 January – 23 April 1995.
Book Review, “Donatello. Catalogo completo delle opere. (I Gigli dell'Arte), by Charles Avery, (Florence, 1991), Art Book Review Quarterly, Spring, p. 2.
Book Review, “Catalogue of European Sculpture in the Ashmolean Museum. 1540 to the Present Day”, Art Book Review Quarterly, Spring.
Entries and Biographies on Francesco Fanelli (nos 128-131 & pp. 610-611), Kunst in der Republik Genua 1528-1815, exh. cat., Frankfurt, Schirn Kunsthalle, 5 September – 8 November.
“La Scultura e gli Oggetti d’Arte”, Fair Catalogue of Antiquariato Internazionale, Milan, April.
Book Review of Canova. Scultore Pittore Architetto a Possagno, by Franco Barbieri, Art Book Review Quarterly, December.
Letter to the Editor, Apollo, June, pp. 438-39.
“Jan-Baptiste van Helderberghe as a Maker of Bronzes”, The Burlington Magazine, no. 1029, vol. 130, December 1988, pp. 913-915.